Amelia Aviles Blog

Unbuttoned

unbuttonedTHIS SUNDAY in SAN FRANCISCO!! Come see me shimmy shimmy as Lexi Lipstick in my burlesque number with Queer Girl Theatre Project! Choreography by the fabulous Amelia Mae Paradise of Diamond Daggers, who among a fabulous host of other lovely women will be headlining!!  xoxo

Queer Girl Theatre Project presents
UNBUTTONED — taking it all off
An SF Fringe Showcase featuring Burlesque, Film, Poetry & Performance
Sunday, September 20th at 8:30pm
The Garage: 975 Howard, San Francisco, CA
Tickets: $10
Purchase your tickets presale here:
Be sure to click on Sunday, September 20th at 8:30pm!

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Response to “Will There Be Condominiums in Data Space?”

A concentrated exploration on the changing field of video production and art, as well as a thoughtful exploration of time, this article by Bill Viola brought up many interesting points for me (some of which spawned new ideas for my own work). There is a lot of information in this article and quite frankly, at times I felt a little lost, but I’ll try to pull out what struck me as most interesting and challenging.

To begin with, I loved this opening statement:
“…we have been living this same moment ever since we were conceived. It is memory, and to some extent sleep, that gives us the impression of a life of discrete parts…”
I loved it because it is a beautiful reminder of life’s continuity. I’m very interested in exploring all of those things that happen during time “shifts”/”cuts.” I’m reminded of my periodic insomnia and the life that I sense, and live, while most of my surroundings are asleep/shifting into their next “life segment.” That time has always had an intriguingly eerie quality about it for me and I wonder how I can represent that visually – or in a way that allows others to experience it (especially non-insomnia stricken folks!).

“The ability to forget has become a prized skill,” writes Viola and I’m reminded of the film “Eternal Sunshine of the Spotless Mind.”

When Viola speaks of his time in Japan witnessing a blind female shaman named “itako” calling dead spirits, he explains that her abilities seem much more advanced to him than he had previously thought of about Japanese electronics. Attempting to explore life in ways other than my own reality, and especially in an after-life sense, has been a long fascination of mine. With my favorite holidays coming up, Dia de los Muertos and Samhain, I am excited to possibly incorporate their meanings, traditions and magic in my work this semester. I would also like to explore the role and practice of sacred prostitution as practiced by the ancients and peoplep of today. I was first challenged with that idea through Dr. Carol Queen’s book Real Live Nude Girl, one of my favorites. Dr. Annie Sprinkle also explores this in some of her work as well.

I’d also especially like to make a project inspired by Viola’s concept of the schizo model, in which “not only are all directions equal, but all are not equal.” The idea of creating an exploratory space for my audience/explorers to get lost in is very appealing; utilizing lots of light, sound, and periodic absence of light and sound are ways I’d help them to get into this “space.” I might give my explorers literal geographic space in which to move around, but the idea of them exploring this schizo space while sitting still in a chair is very appealing…which in itself touches on what I’d most like to explore this fall: the life and experiences that can occur while being bound.

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Lawrence King

Recently I began working on an art mapping project that would focus on a transgender issue. At first I was thinking of mapping trans deaths as the result of hate crimes, but I eventually decided to focus solely on the story of Lawrence King’s murder. The project is still in progress, but let me share with you some background on this tragedy: Lawrence King was a 15 year old boy who was fatally shot by fellow classmate Brandon McInerney on February 12, 2008 at E.O. Green Junior High in Oxnard, CA. Lawrence was known in school to be an effeminate boy who self-identified as gay and had an increasing affinity for wearing feminine clothes. Apparently McInerney had shot him as a response to being highly embarrassed; Lawrence had been hitting on him recently, in front of his friends, and apparently that didn’t sit well.

There’s been a lot of debate about whether this killing was indeed a hate crime (due to the ages of those involved and the fact that both came from deeply troubled backgrounds). McInerney has yet to be sentenced, though at the time of this writing he will be tried as an adult. It’s been reported that Lawrence was bullying the shooter, pushing his sexuality in his face to gain attention. Additionally, Lawrence’s foster father Greg King has even expressed discomfort about the media making Lawrence into a “poster child for gay rights” and reportedly has said that he doesn’t believe Lawrence was actually gay. His foster parents are now trying to sue the shelter Casa Pacifica (Lawrence had been living there for the last four months of his life); they believe that by encouraging Lawrence to express his sexuality, they put him in danger. Wow.

When I first heard the news of Lawrence King’s death, it hit home for me – beyond the fact that he was tragically killed and at such a young age. At the time of the shooting I’d been living in Los Angeles and working my way through my own coming-out/realization process (which coincided with a turbulent divorce, so needless to say, it was an extremely rough time). Though I don’t identify as trans per say (more on my thoughts of our culture’s gender binary later), and don’t know what it’s like to have that kind of challenge, I do know the challenge of trying to be myself while encountering ignorance and hatred for my authenticity. Frankly, it sucks. I have a heart for those whose authentic selves – and their journey towards authenticity – shine not just inside, but also on the outside. Trans and non-hetero folks who have to carefully navigate through our culture of fear and encounter abuse for just trying to be genuine…well, that seems to me like wearing one’s heart on one’s sleeve and then getting repeatedly punched, kicked and shot in the arm.

What I know for sure is that this case, this murder is so very sad to me; not only because it happened, but because Lawrence will never know what it is like to live in a public community of acceptance. It saddens me because Brandon McInerney was able to get to a point of such hatred. It saddens me because we live in a world where suffering abuse for being transgendered, transsexual and/or non-heterosexual is often looked upon as normal. It saddens me because gender and sexual variations are so incredibly misunderstood by the masses. A classmate of Lawrence’s reported that she remembered his response to taunts about being gay – Lawrence said that it didn’t matter because “one day I’m going to be famous.” It saddens me that it was through his own death that Lawrence became famous.

It saddens me…and royally pisses me off.

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I’ve Got a Lesbian Magazine in My Basket

This is from January 2008, as I was beginning to maneuver through my own coming out process. I cringe at how scared I was, but am so glad I wrote it. If you yourself are going through the coming out process, my heart goes out to you! In my experience though, with time all of this does become easier:)

I was at the grocery store and in the bottom of my basket were a couple of newspapers and magazines: LA Weekly, Lesbian News and a smattering of other trades. While at the check-out, the cute male cashier and I had been making small-flirty-talk for a few minutes when he reached the bottom of my basket and, somewhat incredulously, asked if the mags were mine. I quickly responded “Yes!” to ensure that he wouldn’t throw them away, but then my insides responded, “No! Shit no! The lesbian magazine! I don’t want him to see that!” I could see the guy reading the title of the mags and watched his entire demeanor shift. I also gave myself an internal reprimand, “What the hell difference does it make if he sees them? They’re yours. Why would you be so paranoid about this guy, someone you didn’t even know until two minutes ago, seeing them? If you can’t let a stranger know you a little how the hell can you let those closer to you know you at all???” Then I noticed the once jovial attitude of the cashier turn into one of slight fear and removal as if to say, “Oh shit, I was totally barking up the wrong tree. She’s a LESBIAN! Wouldn’t be interested in my flirty jokes. How stupid am I?”

Apparently we both needed to chill.

I wanted to tell him that I thought he was a hottie and that his first senses were on target…but then he started calling me “Miss.” What?? Miss?!?! What happened to our sly-smiled repartee? Now I’m this to-be-feared and separate woman? I wanted to run around screaming at the top of my lungs “WHAT IS THIS???!!!” But no, I take my bag of groceries, my LA Weekly and my lesbian mag and leave, laughing at the absurdity. How loud our silent conversations.

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New Blog: Sexuality & Gender

I’m starting over. Well, more like reshaping. This recession has helped me to strip down to my barest essentials. It’s been sucky and it’s been a blessing. So, I’m starting this new blog to get to my point and share. Exploring sexuality and gender identity personally, academically and artistically has been my main interest for some time now, so this blog is an online communicator of my exploration – a sex-positive space in the virtual world flavored by yours truly:)

Well, why sexuality and gender? Well, because they interest me! I myself started to come out as a fluid bisexual at the end of 2007. It was a time I’ll liken to a firestorm – beautiful, scary and intense. I know that my identity and experiences inform me. I’ve also long been fascinated by what our culture deems as “other,” specifically transgender, transsexual and intersex identities. Again, I am sure that my own experience informs me there too; though I do not carry those particular identities myself, I do know what it is like to be viewed as other, separate and/or feared. It’s definitely not a fun experience, but I think those experiences help me be able to slide out of the ignorant binaries of sexual and gender identity that pervade (as in the thought that there is only gay/straight or woman/man). One way I like to personally explore gender identity is through performance, so you’ll be seeing lots about burlesque, drag and the like.

So, welcome to my site of sexual & gender exploration! I hope my explorations will inspire you, ruffle the feathers of that annoying little bird called fear and ultimately, I hope this blog o’ mine will help to provide supportive resources to those who desire them.

Paz and glitter,
Amelia

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Art of Participation at SFMOMA

At the beginning of the semester, I went to the Art of Participation exhibit at the SFMOMA.  It was filled with conceptual works by artists such as Lynn Hershman Leeson, John Cage and Hans Haacke.  My favorite work was a video piece created by Marina Abromovic and Ulay entitled “Imponderabilia.”  This piece is a single-channel video in black & white.  Abramovic and Ulay stood on opposite sides of a doorway, facing each other, through which museum visitors had to pass in order to get into the museum.  The expressions on the visitors faces were so interesting to watch (it seemed they were most often displaying a look of subtle discomfort).  I’m fond of art pieces that deal with the human body and reactions to it, so “Imponderabilia” struck a chord; I found it brave and inspiring.

Another work that really inspired me was Lynn Hershman Leeson’s “Dante’s Hotel” which was an eerie exploration into residence hotel living which is something I did when I first moved to San Francisco; it’s a unique experience that I too would love to explore artfully.  Fortunately I was able to view more work of Leeson’s at the Hess Winery gallery in Napa.  Since I plan on working in video again soon, she is someone who I find particularly relevant right now.
Overall, the experience of this exhibit was very nurturing for me.  After years of training in different art disciplines the conceptual work I saw, and the possibilities it brought up for me, were inspiring and exciting.  Approaching my work from a conceptual standpoint is something I look forward to more and more and the ability to use all of my visual and performance skills is going to be a great release!
I’d like to end this post by linking a video that seems to be an hommage of sorts to “Imponderabilia.” I was not able to find an online video of the original, but this is a cool digital reenactment.
Ciao.

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Response to Vannevar Bush Article

“Consider a future device for individual use, which is a sort of mechanized private file and library. It needs a name, and, to coin one at random, “memex” will do. A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility. It is an enlarged intimate supplement to his memory.”

Above is a quote taken from the article “As We May Think”, written by Vannevar Bush and published in The Atlantic in 1945. I enjoyed learning about his scientific predictions and comparing them to their present day actualities. From blogging with tags, desktops, laptops, PDA’s, email, social networking sites and digital photography, Bush may very well be delighted to see the inventions many humans commonly use today. I presume however, that he would be disappointed – though maybe not surprised – to know of the violence that continues to exist in our world despite the variety of resources we have to recall history and to facilitate genuine communication. Because of our current state of affairs, I place great importance on the work of artists who can effectively communicate that which will help our civilization evolve. And by communicate, I mean in a clever and sophisticated way; the work need not seem as such (and in some cases, that would be to its considerable advantage), but the method in which it communicates higher knowledge must be slick enough to fit through the tight spaces of ignorance and fear.

“The applications of science have built man a well-supplied house, and are teaching him to live healthily therein. They have enabled him to throw masses of people against one another with cruel weapons. They may yet allow him truly to encompass the great record and to grow in the wisdom of race experience. He may perish in conflict before he learns to wield that record for his true good. Yet, in the application of science to the needs and desires of man, it would seem to be a singularly unfortunate stage at which to terminate the process, or to lose hope as to the outcome.”

One of my favorite works that exhibits sophisticated communication of higher knowledge (and definitely, upon first look, does not seem as such) is the animated movie of the Dr. Seuss classic “The Sneetches.” The story could be considered hidden, if you will, under the guise of a fun movie for children. As I write this, I note that the issue of ‘have and have-nots’ certainly isn’t new, but the film’s exploration of discrimination continues to be important. A previously explored subject, presented in a new environment or time, can be considered a new work. In any case, if you’ve never seen this short movie (parts one and two are below), I encourage you to watch.

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Response to Sol Lewitt

“If the artist changes his mind midway through the execution of the piece he compromises the result and repeats past results.”

This statement, written by Sol Lewitt (sentence #6 in “Sentences on Conceptual Art”), really got my attention as I usually work with room for flow and change from start to finish. At first I thought he was totally wrong, but then I began to wonder if there could be some truth to his statement – at least some of the time. I also began to reflect on non-art experiences where when I stuck with my original goal and pushed through my hardships, I felt I came out stronger than had I not gotten through those hardships. I wouldn’t say that I risk repeating the same result though. Actually, I think that is an impossibility – well, in this existence. I do think that one can get to stronger and stronger places though; no matter what path/goal/journey one chooses, there will always be opportunity for obstacles…perhaps I should say almost always. Nevertheless, I will give this challenge a try.

“In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair.”

This quote is from Lewitt’s “Paragraphs on Conceptual Art.” I love his explanation of conceptual art and it was his explanation that helped me to really understand it in the first place. I’m particularly fond of the idea of planning a work and then letting go as it sounds so freeing – no room to change course during execution, just go with the original plan and observe. Again, this is quite different from my usual way of working, but it’s becoming very appealing. It also makes me feel challenged to trust my work more, value it more, believe that it will stand on it’s own. I like that.

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LGBTTIQQGFPSUA & LGBFPSUTGTIQQA Pride Flags – A Jam of Sexual Culture



The LGBTTIQQGFPSUA & LGBFPSUTGTIQQA flags above are my responses to the Culture Jamming assignment. For those who need some clarification on the acronym within the flag, the letters stand for: Lesbian, Gay, Bisexual, Transgender, Transsexual, Intersex, Queer, Questioning, GenderQueer, Fluid, Pansexual, Straight, Unlabeled, Allies. The top flag begins with LGBT just to be familiar and the bottom contains the same letters as the top, but mixed (starting with labels of sexual attraction/identity, then to gender identity and finally to broader labels). It is my intention with these flags to be even more sexually inclusive than I feel the rainbow flag is generally understood to be. I know that many folks identify the rainbow as being a symbol for gay pride, or even LGBT pride, but to me the rainbow is firstly a symbol of beauty in diversity and I wanted to be upfront about it – hence the inclusion of the lengthy acronym. “Aloha spirit” also comes to mind when I see a rainbow, which is something I know I’m influenced by due to my childhood growing up in Hawaii. On the islands, aloha means love and “aloha spirit” is a loving and welcoming way of living.

LGBT is generally used in queer culture nowadays (and sometimes LGBTI and even LGBTIQQA), but I wanted to take it further. Additionally, I thought it very important to include identifiers that are outside of attraction labels, but fall within the area of sexuality. The struggles of anyone who falls outside of the “either/or” categories in our culture (e.g. gay/straight, man/woman, etc.) strike a chord with me. Oftentimes I sense a certain madness in our society for wanting things to be simple…to compartmentalize, to make static definitions, to size someone up to figure out where we ourselves stand (I’ve been guilty of all of these too); since I have experienced being not quite either/or myself in a variety of ways (sexuality, race/heritage, familial ties, national identity…), I empathize with this struggle. Because of this, including Fluid and Unlabeled were of special importance to me as they honor the existence of nuance.

And finally, well for now at least as sexual and gender identity are large topics, I did consider the possibility of including both “A” for Allies and “S” for Straight as being redundant (as “Allies” is generally referring to “Straight Allies”). I decided to include both because I feel that sexuality across the board should be represented and that regardless of ones orientation, Allies should be included as well (the idea being that we can all be allies of each other). Additionally, I made the very deliberate choice to add “S” for Straight. I’m quite sure that there are many straight-identified folks, though not all, who would be uncomfortable with being grouped together with queer folks…which leads to my question for our culture at large: what’s the difference?

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Chance Collage #5


“…sweetheart, how I miss your…”

Artist: Devotchka
Album: How It Ends
Track: #8, Too Tired
Time: 0 min. 23 sec.

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